![]() ![]() Today the studio uses Macs in every aspect of production: office work, storyboarding, film editing, and 3D animation. Soon after, he became the head of all things technological, and oversaw the studio's transition from early Silicon Graphics machines to Windows-based PCs to Macs. Gregg's brother Scott Vanzo joined the studio in 1993 to set up digital ink-and-paint and camera production facilities. The studios quickly earned maverick reputations for their work on edgy shows like The Ren and Stimpy Show and Beavis and Butt-head, as the staff perfected cutting-edge techniques like non-photorealistic 3D rendering Rich Moore, former director on The Simpsons and supervisor for The Critic, completed the core team in 1995. Claudia Katz joined Rough Draft in 1994 to produce The Maxx, and later became a partner. ![]() Gregg Vanzo founded Rough Draft in a Van Nuys garage in 1991 he and his wife Nikki established Rough Draft Korea in Seoul shortly thereafter. There simply isn't another platform out there that can do as much as the Mac." Every Mac in the studio can do what we need it to do. An iMac can be an office machine one day, and the next day it can be put into production. "The work we do involves everything from traditional 2D animation to 3D CGI to video editing. "Macs are extremely flexible, and that's key," says Scott Vanzo, Director of CGI and Chief Technology Officer at Rough Draft. Rough Draft Studios produces a staggering amount of animation - and its assembly line is 100% Mac. And Rough Draft is still going strong: The studio produced half the animation for The Simpsons Movie, the soon-to-be-released final installments of Futurama, and Comedy Central's Drawn Together. ![]()
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